Thursday, July 29, 2010


NEO RAUCH


CINDY SHERMAN / PHOTOGAPHER
INTERVIEW

The Getty Centre has an educational blog
sharing lesser known works
from the collection

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Julie Mehretu, Atlantic Wall, 2008–09

May 14–October 6, 2010

The term “gray area” speaks to a condition of indeterminacy, a liminal state in which something is not clearly defined or perhaps impossible to define. Julie Mehretu (b. 1970, Addis Ababa, Ethiopia) adapts such an enigmatic circumstance as a tool to engage the viewer in her complex compositions of meticulously drawn mechanical renderings, spontaneous gestural markings, and colorful interjections. The images seem to exist at a horizon where the work could either plunge into dense obscurity or nearly disappear into an ethereal cloud of dust. Yet a remarkable sense of pictorial space always exists in Mehretu’s paintings, created not just by their layering but also by the contrasts inherent in them. What appears abstract from afar is replete with detailed drawing when viewed up close. And just as one is able to glean some bit of information in order to identify a rendering, it vaporizes into an indefinability that compels the viewer to look again and again.

The paintings in this exhibition were produced as the 15th commission of Deutsche Bank and the Solomon R. Guggenheim Foundation. Inspired in part by Berlin, the city in which Mehretu created the works, the paintings evoke the psychogeography of a place and the effects of the built environment on individuals, while at the same time contemplating the past and the surviving traces of lived history. Walking through Berlin, where one still encounters the vestiges of war, an American such as Mehretu might recall that such destruction is currently perpetrated in the conflicts in Afghanistan and Iraq. A society at war often does not think of the lasting effects of its actions, and to see memories preserved after decades of recovery is a poignant reminder. These paintings are imbued with the ghostly traces of past and current transformations in the urban landscape.


Completed in 1959, the Guggenheim's Frank Lloyd Wright–designed museum is among the 20th century's most important architectural landmarks. The museum's great rotunda has been the site of many celebrated special exhibitions, while its smaller galleries are devoted to the Guggenheim's renowned collection, which ranges from Impressionism through contemporary art.

Melbourne Art fair image 2009
Melbourne Art Fair, Australia's premier international visual arts event returns to the World Heritage listed Royal Exhibition Building from 4-8 August 2010.
Melbourne Art Fair is an exhibition of leading contemporary art, presented by over 80 selected national and international galleries. The biennial event features paintings, sculpture, photography, installations and multi media art works of over 900 artists and attracts up to 30,000 visitors.
Oil and acyrlic on linen " Cul de sac"

Mamma Andersson / Discuss! Comment!
What do we think of this Artists work?

Beautiful Artist Peter Doig.

Peter Doig